When vocalist/grunter Lee Dorrian left Napalm Death, he formed this U.K. based Doom/ Death Metal band with friend and bassist Mark Griffiths, as well as former guitarists Garry Jennings and Adam Lehan (both ex-of Acid Reign). Ben Mockrie (drums) also joined in. The line-up was established in time for the four-track demo In Memorandium, which featured a cover of Pentagram's All Your Sins, an act they would later grab members from. Dorrian's vocals had changed since his Napalm Death days to a style more like '60's and '70's underground Rock, much in the style of Black Sabbath.
Mike Smail (ex-Penance/ex-Dream Death; drums) replaced the departing Mockerie for the impressive Forest Of Equilibrium (1991) debut. Mark Ramsey Wharton was his permanent replacement for the Soul Sacrifice EP (1992). A capable U.K. tour followed with Carcass, Entombed and Confessor in tow, as well as gigs with Obsessed and Trouble. A U.S. tour with Brutal Truth, Napalm Death and Carcass followed, getting them a deal with 'Columbia' in its relentless drive to cash in on the underground ('Earache' would continue to publish their work in the U.K.).
Trouble/Danzig/Mick Jagger collaborator Dave Bianco produced The Ethereal Mirror (1993); it advanced on to receive critical acclaim. Another U.K. tour followed, this time with Penance and Sleep. Cronos guitarist Mike Hickey was guest on bass for the Statik Majik EP (1994), which included the 23-minute epic The Voyage Of The Homeless Sapien. Wharton and Lehan left after a U.S. tour with Mercyful Fate, and a new line-up featuring ex-Pentagram (USA) members Victor Griffin (drums) and Joe Hasselvander (guitar) was collected in time for a Black Sabbath support tour. Hasselvander's stint was short, for shortly later he left due to personality conflicts.
By 1994 Cathedral returned, with Dorrian and Jennings joined by Leo Smee (bass) and Brian Dixon (drums). The Carnival Bizarre would follow in 1995, but by this time they had been converted into a purple shirt wearing retro Metal act. The accompanying EP Hopkins (1995) was designed to cash in on the success of the album's release. The follow-up, Supernatural Birth Machine (1996), was well received regardless of these continued disturbing changes. The '70's influences would grow uncontrolled by the time Caravan Beyond Redemption (1999), Endtyme (2001) and the aptly titled The VIIth Coming (2002) were released. During this time Dorrian was moonlighting by starting his own record label called 'Rise Above Records', a label in the business of selling similarly influenced acts.